People who can't play jazz

have something in common with me.

Here's my new song. It's called "What makes the world go 'round." But that's kind of a shit title as well as being a mouthful so if you can think of something more clever drop me a line or add a comment.

It was based on an exercise which was to write a song whose first line is a question, whose last line is the answer to that question, and the lines in between are how you went about finding that answer.

It doesn't really fit in with the 'album' So maybe I'll put it last after my doom metal outro and it will be like "Her Majesty" on abbey road.

Anyways..here it is.

What Makes The World Go 'Round

Out of Sunshine

Hi folks. I have a sample up. It's for a song called "Out of Sunshine" A pretty new song and not originally slated for the record, my friend Ian Miller had played bass for me on the song "Shell" and being that Ian defines everything that is rock and roll, punk, and metal all rolled up into one, I decided to write something a little more shaking for him to play on. So the original idea was to write a Westerberg style garge rocker. To me it wound up sounding like the Stones. To Ian it sounded like Tom Petty. I know I compare everything I do and everything everyone else does to everything else. I can't really help it though. Just how I was made.

Right now the song clocks in at about 5 minutes which is good for time slots getting RPM done in time but bad for the fact that I wouldn't normally sit through a 5 minute pop song without being bored. So I'm probably going to pare it down a tad.

Here's first sample.

Out of Sunshine

Wasting time.

I haven't blogged much because I went out of town last week and have been pretty busy in general. Also frustrated with the creative process. Although those are the times I guess I should be blogging. But this is my first time doing so, so I forget. I worked on a song...I had it all in my head. The lyrics finally started to take shape. I got the perfect drums for them. Everything clicked. Then I woke up....listened to my beats and played the song. And realized I thought it was shit. So I started over. Lots of wasted time there. I probably should have moved on. I guess I'm incapable of 'moving on' when something is bothering me like that though. I have a new version of my new song in the works though. Tomorrow I will see if I can't have a rough recorded. It is called "Out of Sunshine." At that point I will probably move onto the song "Out of Sunshine part II." Which incidentally has very little to do with part I. And I'm not smoking. Which means I've gained weight. Which means I'm pissed off, which means I'm tired from exercise and hungry from starving myself. How was your week?

So...the good part in all of this is that while I'm way behind on material...material is COMING. Like it really hasn't before. I can sit down and stare at half filled in stanzas on paper and words and rhymes and sentences, and cohesive thoughts don't seem to have as much trouble finding their way from my mind to the paper. This has always been the worst part of songwriting to me. I mean lyrics are weird y'know? Everyone gets something different out of music and I get that. But I have people that come to me and say "a song is only as good as its lyrics." I understand people feel that way. I just think they're wrong. The story of Pet Sounds is not told in the lyrics. He could be reading the ingredients to Cheeze Its and I'm pretty sure the emotional impact on me would be identical. I'm neither the musical master Mr. Wilson is nor the lyrical master Mr. Dylan is or any bizarre combo of those two from Pete Townsend to Tom Waits. But I DO have the goal to make my lyrics not embarrassingly bad enough to take away from being able to enjoy the song as a whole. I spend an awful lot of time making sure that doesn't happen and yet I still don't think of myself as a songwriter.

Am I? I write songs? I have no idea. Songwriters to me are people with these things to say that can't stay in their head that must find their way to the paper. Poets with burning souls. Or maybe (maybe not) more superficially, geniuses like Diane Warren or a host of Nashville penners that can knock back #1 hits in their sleep. I don't know what a songwriter is. And I don't know why I write songs and am convinced that whatever the answer is, I'm not one. Which becomes bizarre in thinking "what am I"? My guitar playing went to shit years ago. I was only told I had a decent voice by someone a couple of years ago so I'm still not completely comfortable there. My piano playing definitely won't win any awards. I can't properly mix a song with more than 3 instruments. But in the end, I somehow overcome odds and make music that I'm really proud of.

Is that weird?

Channeling my inner Jeff Lynne

To say I'm a fan is to put it mildly. Anyways, this is the first clip of Dimly. It started out as an overwrought Butch Walker style ballad but as usual ELO winds up creeping in. I'll have more soon. I'm working way too slow on this stuff. But one time saving exercise is that my friend Satish has said he would chart out some orchestrations for me on this song. I mean...it's gotta have strings and such right? Wouldn't make sense otherwise. There's an ego part of me that wants to do it, but it would add about a gabillion years onto my time. This way I get to collaborate with a guy who's brilliant anyways, and get the song done more quickly.

Anyways..here's what I got so far. Just vocal, drums, and piano right now

Dimly Clip 1

Thinking about air a lot.

There's a little dude sleeping right across the hall from me. So most of my recording is done in some way or another via direct inputs. I'm an embracer of technology to be honest. I love old stuff but I love new stuff too. And while we can argue the merits of how much better a guitar would sound through a marshall cabinet pushing air into a microphone, without the technology I'm using I wouldn't be able to do any of this at all. Because I can do it in silence. But I was watching the 'Classic Albums' episode on Stevie Wonder's "Songs in the Key of Life" Watching those horns. The last thing those notes hit before they were committed to electronics was air. Those notes WERE air. My notes are never air. Therefore I'm plugging in my loud ass amplifier tomorrow and sticking a microphone in front of it and raising hell. I have no idea what my success level will be.

I've taken a couple of days off, and then got promptly back to work. I wanted this album to be melancholy. But now I'm just so wallowey in depressing music, I'm just not so sure. We'll see how it goes.

I'll put clips up soon of the new song I'm working on. It's called "Dimly" Stephen King said he doesn't care for adverbs. However, I'm not so sure I care for Stephen King.

Frequencies and elbow room.

Ok...So I was a little cranky last night. And I don't really even hate Metallica as long as it's before 1986.I've worked some more and I'm going to put it aside for now and this will be my as finished as it's going to get until album finishing time version. Although I started sending it to my RPM buddies and all I got was shit about how horrible the mix was. Why can't I mix? I mean..it's not like I'm completely void of an ear or musical ability. It doesn't make sense. Whenever my friend Josh mixes for me I feel he probably gets frustrated.....he plays many instruments but is by nature a bassist. So I think he doesn't understand how the rest of us (normal people) get so crowded in the mid frequencies. So I'll have organ, piano, acoustic guitar, 2 electrics, 3 harmonies, a lead vocal all taking up the same spot. And in his mind (and he actually understands mixing) he's thinking "where do you want all of this to go???" And I'm just thinking "GET IT IN THERE!" So maybe it's not mixing I'm bad at. Maybe it's arranging. I don't know. I like dense sounding things, but I also like sparse sounding things. Here is my song.

Shell

First fer real song

It's called Shell. And I've been working at it mercilessly for about two days. So needless to say I fucking hate it. The clip you will hear is one of a drum loop, a scratch acoustic guitar and vocal track where I forget the lyrics. and two out of harmony harmonized guitar lead tracks. Which you may think sound ugly but is the only thing I can seem to do to not make this feel like an Air Supply record right now. What in the hell is wrong with me? And when at first I attempted to make a cool harmonized guitar part, I thought it would sound cool because other people who do it sound cool. When Brian Eno does it all fuzzed out on "Another Green World" it sounds badass. Especially combined with the piano. Not so much for me. It sounded like Metallica. And the whole thing has this Dorian like sound so everything I play reminds me of Carlos Santana. Metallica or Santana. I can't decide which is worse. But when Verlaine and Lloyd do it it's awesome. When Tweedy and Nels Cline do it it's awesome. I've already failed at making this song what I want it to be but I have to trudge forward I suppose and deal with what I have. This is why I decided to make the harmonies kind of 'off balance'. I'm contemplating a distorted doom/stoner rock bassline on it. Just to De-YachtRock it some more. I have more done to it as of this writing. Tomorrow I hope to be completely done and move on and wish myself better luck with the next one. Stupid time limits. *kicks ground* So anyways...here it is.

Even the nights are better.

Oh...and happy Mardi Gras, folks.